The four hundred marks reproduced in this book represent the diverse array of identity work produced by Pentagram's partners, past and present, since the company was founded in 1972. Over the past four decades, Pentagram has designed marks for large corporations and small businesses, government agencies and non-profit institutions, clubs and societies, and even individuals, all...(展开全部)

The four hundred marks reproduced in this book represent the diverse array of identity work produced by Pentagram's partners, past and present, since the company was founded in 1972. Over the past four decades, Pentagram has designed marks for large corporations and small businesses, government agencies and non-profit institutions, clubs and societies, and even individuals, all...(展开全部)

Deadpool's starting to seriously question this whole "mercenary" thing. Maybe there's something else he could do with his life. He doesn't know what that could be, but then he turns on the television, and he knows exactly where he needs to be, and who needs him most. Hello, San Francisco! Collects Deadpool #13-18.

Deadpool's starting to seriously question this whole "mercenary" thing. Maybe there's something else he could do with his life. He doesn't know what that could be, but then he turns on the television, and he knows exactly where he needs to be, and who needs him most. Hello, San Francisco! Collects Deadpool #13-18.

福雷斯特·斯图尔特 现为斯坦福大学社会学教授，斯坦福民族志实验室主任，城市研究项目主任，麦克阿瑟研究员，社会研究学会会员。著有《子弹之歌》（Ballad of the Bullet）。 他用城市民族志的方法做研究，采用田野调查和档案研究等质性研究方法探索城市贫困的成因、现状和后果。他延续芝加哥社会学派的方法，观察个人和社群如何理解自身所处的社会世界，提倡公共社会学的理念，期望社群成员也成为知识的生产者。 2020年，获得麦克阿瑟天才奖。

福雷斯特·斯图尔特 现为斯坦福大学社会学教授，斯坦福民族志实验室主任，城市研究项目主任，麦克阿瑟研究员，社会研究学会会员。著有《子弹之歌》（Ballad of the Bullet）。 他用城市民族志的方法做研究，采用田野调查和档案研究等质性研究方法探索城市贫困的成因、现状和后果。他延续芝加哥社会学派的方法，观察个人和社群如何理解自身所处的社会世界，提倡公共社会学的理念，期望社群成员也成为知识的生产者。 2020年，获得麦克阿瑟天才奖。